Current & Upcoming Exhibitions

Ronni Jolles - Solo Show

Chesapeake Framing Company & Gallery

10507 Metropolitan Avenue

Kensington, MD. 20895

September 1st - 30th, 2026

I am showing about 20 of my framed giclee prints in this solo show. I will also have some originals - in various shapes amd sizes. Come visit and see my work and learn about a really good framer!

Jolles Open Studio!

October 17th & 18th: 12 - 5pm

6907 Oakridge Avenue

Chevy Chase, MD 20817

This is a great opportunity for you to see all of my work, to learn about my process and how I create my layered paper artwork! You’ll se my experimental pieces, my prints, and you’ll see my studio! It’s always fun to see how an artist works, and I will be cleaning it up for the occasion! You can also see our house, our native garden in both the front and back of the house. I’ll have other artists with me; details to follow!

This is part of an event called “Chevy Chase Art Walk!” I won’t be doing the “Great Falls Studio Tour” anymore, so I am hoping that my Virginia patrons will cross the river and see where I’ve been living for the past 10 years! Many artists in Chevy Chase, Maryland and Chevy Chase, Washingotn DC will be participating! I’ll give you the brochure and all information for you .

Zenith Gallery

1429 Iris Street, NW Washington, DC 20012

I am represented by Zenith Gallery; My work is shown regualrly at the wonderful gallery space on Iris Street in Washington, DC.

The December 2022 - Feburary 2023 show at MPA was reviewed in the Washington Post! Written by Mark Jenkins, here is an excerpt:

“The trees that Ronni Jolles constructs are made merely of paper but are so robust that they sometimes grow beyond frames that can’t quite contain them. “Trees on the Edge: Artwork in Layered Paper,” at McLean Project for the Arts, is a set of landscapes dominated by the strong verticals of trunks and the soft horizontals of birch bark’s black stripes.”

“The Maryland artist overlays scraps of torn paper into 3D vignettes, adding color with acrylic paint. In this show’s works, tree trunks are out front, and backgrounds such as the pink-patched sky of “Winter Light” are literally behind them. The actual distance between top and bottom is shallow but effectively suggests much greater depths. Jolles’s intricate compositions draw the eye both inward and upward.”