Current & Upcoming Exhibitions

Great Falls Holiday Show!

November 21st & 22nd: 10am - 5pm

St. Francis Episcopal Church

9220 Georgetown Pike

Great Falls, Virginia 22066

I will be participating in this Holiday Show - for my Virginia patrons! Since I misssed the Great Falls Studios Tour this year, I’ll be bringing a lot of my layered paper artwork to display. In addition to my work in various shapes and sizes, I’ll be bringing some smaller things for Holiday gifts. I’ll have prints, and very small pieces on easels, and fun smaller pieces in addition to my larger work. Please come visit!!

Solo Show at Penn Place!

Entrance Floor of Black Market Bistro

March 22nd - April 17th, 2027

Black Market Bistro

4600 Waverly Avenue

Garrett Park, Maryland 20896

I am excited to be having a solo show at this lovely little gallery - right in the building where Black Market Bistro is located. As you enter the restaurant, walk straight through and you’ll see the gallery! I’ll have large and small pieces of my unique layered paper artwork. Informatiom about an opening reception will be coming.

Zenith Gallery

1429 Iris Street, NW Washington, DC 20012

I am represented by Zenith Gallery; My work is shown regualrly at the wonderful gallery space on Iris Street in Washington, DC. I have a new Dolly Parton piece that will be in the Dolly Parton show - oepning this weekend, October 9th and 10th!

The December 2022 - Feburary 2023 show at MPA was reviewed in the Washington Post! Written by Mark Jenkins, here is an excerpt:

“The trees that Ronni Jolles constructs are made merely of paper but are so robust that they sometimes grow beyond frames that can’t quite contain them. “Trees on the Edge: Artwork in Layered Paper,” at McLean Project for the Arts, is a set of landscapes dominated by the strong verticals of trunks and the soft horizontals of birch bark’s black stripes.”

“The Maryland artist overlays scraps of torn paper into 3D vignettes, adding color with acrylic paint. In this show’s works, tree trunks are out front, and backgrounds such as the pink-patched sky of “Winter Light” are literally behind them. The actual distance between top and bottom is shallow but effectively suggests much greater depths. Jolles’s intricate compositions draw the eye both inward and upward.”